Agency Collective Tales

Rea Averill @ Agency A

Episode Summary

In this episode of the Agency Collective Tales, Ellie spoke to Rea Averill, founder and Managing Director of Agency A about making the choice to start out on her own, much earlier than she anticipated and using the skills she picked from one industry brought to a standstill by the pandemic to pivot into a different one altogther. Rea started Agency A in 2022, a social media savvy team who build online communities, creatively.

Episode Transcription

00:00:00:12 - 00:00:10:10

Narrator

Welcome to the Agency Collective Tales with Ellie Hale. Our podcast

where we talk to our brilliant agency owners about all things agency

life.

00:00:10:17 - 00:00:17:14

Ellie Hale

Today on the podcast, I am joined by Rea Averill from Agency A.

Thanks so much for coming on the podcast.

00:00:18:06 - 00:00:19:13

Rea Averill

Thank you very much for having me.

00:00:19:23 - 00:00:31:00

Ellie Hale

You're so welcome. So first off, like we always do with The Agency

Collective Tales, can you just tell me a little bit about what life

was like for you before you started your agency? And then what

prompted you to start Agency A?

00:00:31:13 - 00:00:51:22

Rea Averill

So I moved to London for university. I did a business and marketing

degree, and when I was at university I started a blog because I

wanted to document student friendly places in London that people

could enjoy and experience. So I started that blog on Instagram and

visited like new and exciting restaurants, sites and activities in

London. Grew the Instagram.

00:00:51:22 - 00:01:11:24

Rea Averill

to about 3000 4000 followers and then ended up working at an agency

because I really liked the influencer marketing side of the industry

and equally, that was an exciting experience for me. Now, at that

time, Influencer Marketing still felt like quite a gifted, exciting

experience. It wasn't as big, bold and brave as it is now. So I had

that blog.

00:01:12:01 - 00:01:31:17

Rea Averill

I then worked another agency and worked there for a number of years

managing the execution teams. And then at the beginning of the

pandemic saw an opportunity to start my own agency because I had

built some great relationships and was really keen to just do

something for myself, really. So I set up Agency A with a brilliant

business partner who had been a mentor for me for a number of

months.

00:01:31:23 - 00:01:47:00

Rea Averill

My previous experience was rooted in hospitality. But then we had to

pivot a little bit because of the challenges that were in front of

us. And since then, we've just grown the agency over the last couple

of years. It's been fun, but difficult, I'm sure, as it has been for

many. And now just looking forward and feeling positive.

00:01:47:19 - 00:01:53:15

Ellie Hale

Amazing. So Agency A at the moment, is it still strictly influencer

marketing? Do you have other facets as well?

00:01:54:02 - 00:02:05:07

Rea Averill

We see our sweet spot as anything social for us, like TikTok,

Instagram, Facebook, and we also do some consulting and training as

well. So where we've worked with brands and helped their in-house

teams with best practise.

00:02:06:15 - 00:02:22:18

Ellie Hale

That's magic! What do you think it was that gave you the incentive

or the bravery to think: "Sod it, I'm going to start my own agency"

because it would have been really easy for you to just work your way

up in someone else's agency and forge your career that way. But what

was it that made you think, "No, I'm going to be my own boss"?

00:02:23:04 - 00:02:49:07

Rea Averill

I think I've always felt quite entrepreneurial since I've been

little, I always was watching The Apprentice or I set up a couple of

little businesses when I was in my teens, I used to sell jewellery

at school fairs, and so I always wanted to run my own business. I

guess I had never planned to do it in my mid-twenties I might have

waited a bit longer, but I felt at the time in 2020, when I set up

Agency A, I felt I had enough experience, enough contacts, and I had

a great business partner who complimented things that I wasn't good

at.

00:02:49:10 - 00:02:57:03

Rea Averill

So we felt like it was a good time to do it. And it was actually my

mum that said to me: "Well, you can either go and do this for

someone else, or you can do it for yourself." So I made that

decision.

00:02:58:04 - 00:03:12:17

Ellie Hale

So if your background had really being carved out in the hospitality

industry, how did you then pivot with the challenges that obviously

we faced with lockdown and COVID and people slashing marketing

budgets left, right and centre? How did that affect you cutting your

teeth in?

00:03:12:17 - 00:03:28:08

Rea Averill

Honesty, that was quite hard. I found it extremely difficult,

especially because things were changing all of the time. And I think

brands, at least from my experience, they didn't really know what to

do. One moment, they'd be like, "Let's just go heavy, let's keep

shouting about our USPs and brand values."And then the next minute

they were like: "Okay, let's cut stuff and not do anything,

00:03:28:12 - 00:03:48:08

Rea Averill

we need to be sensitive to what's going on around us." So I found

that incredibly difficult. But I think my key learnings would be

educating people around the value of retaining social media as part

of your marketing mix. And it was fortunate because obviously we

were all at home, so there was an increased amount of people online.

So there was a lot of opportunity to demonstrate that that's where

brands' audiences were.

00:03:48:11 - 00:04:13:10

Rea Averill

So I think it was an education piece, finding our offering. The

previous agency that I worked at was more full scale digital, and I

was quite keen to be more streamlined, more niche, because I think

let's just do what we do really well and then lean on other

brilliant agencies to feed into other things if that's appropriate.

And then equally, I think just keeping on top of trends and keep

learning, I think would probably be a good one as well and not

feeling potentially stagnant, but it was very difficult.

00:04:13:10 - 00:04:34:11

Rea Averill

And it tells you a question about how we operationally pivoted

between doing hospitality and then working with other brands. It was

demonstrating subject knowledge and then also demonstrating that the

skills that we had in those industries were applicable across

others. We started working with a luxury furniture brand who I

remember now had some nervousness about working with us, because

they did say: "All of your previous experience has been with food

and bev.

00:04:34:12 - 00:04:48:18

Rea Averill

How are you going to translate this to outdoor furniture?" And we

went from an experience angle. We were like: "We're great at

showcasing experience, so let's just take that that we do really

well and showcase that with your brands." And actually it's worked

really well and we're just about to go into our third year we're

working with them.

00:04:48:18 - 00:04:50:17

Rea Averill

So that was a great planning for me.

00:04:50:23 - 00:05:05:07

Ellie Hale

Must have been an absolute baptism of fire for you. So I imagine

what you learnt those first six months / year of running your

agency, had it not been in such a chaotic landscape for everybody,

maybe it would have taken you longer to learn these lessons, do you

think?

00:05:05:20 - 00:05:21:20

Rea Averill

Yeah, I think so. That's a nice way of expressing it, like I'm

grateful for the fact that it was fast tracked and then equally,

I've thought recently about the fact, you know, the last couple of

years of running have been during difficult economic times,

difficult times for people in general. Hopefully now the more fun

elements of running the business will come into play.

00:05:22:06 - 00:05:43:13

Ellie Hale

How do you educate clients with the cost of living crisis and

there's a recession coming? How do you educate your clients that

actually, cutting marketing is probably the worst thing that you can

do because I was always struck by Christmas 2020, and adverts. And

how you could absolutely tell who had ditched their marketing teams,

who was on furlough and who had kept investing.

00:05:43:14 - 00:05:47:01

Ellie Hale

I think it was quite evident. So how do you best educate your

clients on that?

00:05:47:06 - 00:06:09:02

Rea Averill

Liaise with the existing clients we're working with. I feel quite

fortunate in the fact that we don't have to reiterate or demonstrate

the value. They get that entirely. I think the budget issues are

probably around the fact that they'd like to spend, but they can't

spend. So I think it's probably around again educating them. Okay,

fine. If we've got this budget, should we spend it slightly

differently for the next 6 / 12 months or what's going to help us

during this time?

00:06:09:03 - 00:06:33:12

Rea Averill

And then equally being quite adaptable because I think potentially

if a client starts with a proposal from an agency that says, 'here's

our budget for the next three months', they might look at it and

think: "Well, okay, I don't really know what's going to happen for

the business in the next three months." But I think if you present

yourself as quite an adaptable collaborative partner, that is

therefore the good days and bad days and equally can chop and change

and make messaging really sensitive or really exciting or really

showcasing escapism.

00:06:33:23 - 00:06:49:23

Rea Averill

I think it's just showing them that you're not just going to look at

something through one lens. You're very aware of the fact that a)

any spend for them is going to feel like a big investment and b)

that you'll spend it like it were your own money. You're happy to

chop and change because we're all in this situation together.

00:06:49:24 - 00:07:05:05

Rea Averill

And it's a really good question. We had that team brainstorm this

morning. We've got one of our brands. We're doing some quarterly

planning for them for Christmas. We're talking about do we make the

creative, really elaborate, exciting with loads of props, or do we

make it a bit more stripped back to be a bit more sensitive to the

fact that there's a lot on around us, around cost of living?

00:07:05:10 - 00:07:22:23

Ellie Hale

It's so hard, isn't it, around Christmas? But I think Christmas will

always be that extravagant, fantastical time to dream and aspire, I

think. I hope so, anyway. I hope it still stays that way. How have

you found being a manager to a team and how has that learning and

role developed over the past three years?

00:07:23:17 - 00:07:41:10

Rea Averill

It's a steep learning curve, especially because I'm early in my

career and I do think if you look at management on paper, it sounds

like you have quite a rigid set of responsibilities. But I'd like to

think that I'm quite intuitive and quite empathetic, and that has

lent me quite well to looking after my team, potentially, sometimes

maybe too empathetic -

00:07:41:11 - 00:08:05:13

Rea Averill

I'm not sure! In some people's opinion, I'm not sure. But I found it

challenging being remote and in the office because you can't have

that easiness of the day to day and seeing someone the next day and

having that rapid comms. And equally I've got some good learnings

around managing lots of different personalities, particularly in a

creative role, because I think one of the biggest things I've learnt

is the fact that in our personal lives no one person's the same, but

it's totally applicable to managing teams as well.

00:08:05:13 - 00:08:19:18

Rea Averill

And you need to adapt to approach based on the person in front of

you. It's been one of the most exciting or valuable things I've

learnt over the last couple of years has just been how to manage a

team, how to look after a team and how to get the most out of the

brilliant people that you hire, because otherwise why would you hire

them?

00:08:20:06 - 00:08:32:07

Ellie Hale

So what have been some of the most exciting client projects that

you've worked on? What are the ones that really jump out at you as

being the landmark ones where you could see your progress as your

agency was growing?

00:08:32:18 - 00:09:00:20

Rea Averill

We're working with a large new French brand called Mode Furnishings,

and they are a premium outdoor rattan retailer. That's been a really

exciting project for us because it's been the most physically

demanding project we've done. So like I mentioned, my previous

experience is working in hospitality or food and bev, where you

either go on location to a shoot or you'd be working with food

products in a kitchen. But then have to manage big furniture sets on

site and on shoots has been an exciting challenge, and we've done a

couple of trips away to go and shoot in really beautiful locations.

00:09:00:20 - 00:09:27:13

Rea Averill

So that's been really exciting. Both at the time. And then also

looking at the creative work that we've done after. Really, really

enjoyed that. And then equally, most recently, one of our clients

did a food truck event on London's Southbank. They gave out a

thousand free plant-based burgers and we did the social media

coverage for that. I was so excited about it before, so excited on

the day, because it was the most physical activity we'd done with

that brand, especially because we'd been working with them during

the pandemic.

00:09:27:13 - 00:09:47:15

Rea Averill

So it was really exciting to be outside with people trying their

products and feel that buzz, especially in central London. So that's

been great. And then one other one that has felt more personal to

me, is that we did a bit of pro-bono work during the pandemic as an

agency, and in December not during lockdown. We did a project for

Smart Works Women's Charity, with another agency that we partnered

with.

00:09:47:15 - 00:10:03:09

Rea Averill

We helped them create a promotional video for a fundraising campaign

which went live in January. And that was a really proud moment for

me because it just felt really good to be able to give back in a

skills focussed way, which I thought was a) really important but b)

really great to be a part of.

00:10:03:15 - 00:10:11:11

Ellie Hale

That's wonderful. As an agency founder is looking at the bigger

picture and looking at your corporate responsibility as an agency,

is that something that's important to you?

00:10:11:23 - 00:10:28:10

Rea Averill

Yeah, absolutely. It has throughout all my roles, any job that I've

been in prior to Agency A, but now absolutely. I listen to an

amazing podcast that was talking about how you just can't

continually just take, take, take, and so it's important to give

back and I like us to always gear it towards something quite skills

focused because it's training for the team.

00:10:28:10 - 00:10:44:02

Rea Averill

And often when you go to these charities, they lack resources and

rely on a lot of external specialist's help. So it's really great to

be able to fill that gap. Each of my guys has a day a to contribute

to CSR that we like to team up and do stuff together. So I think

that's hugely important and I would say very easy.

00:10:44:02 - 00:10:55:02

Rea Averill

I think often people think with small businesses that they kind of

lack the time or the resources to do it. But I think if you email

probably any marketing team member at a charity, I'm sure they would

gladly take a phone call and take any help that they could get.

00:10:55:08 - 00:11:06:15

Ellie Hale

That's really great advice, Rea, because I think there are so many

agencies who would like to do more and who would like to help, but I

think it's the thought of the organising and actually getting around

to doing it, probably puts them off a bit more.

00:11:07:02 - 00:11:32:01

Rea Averill

Yeah, I've thought about that as well, because I think it would be

great if there's like a network of people that can feed in helping

others. Or if you could just contribute four hours, if you've got

someone whose project's been delayed or they've got some free time

that they could just sit and help someone, I think that'd be really

valuable, especially in the next six to nine months because I think

there'll be a lot of charities, particularly ones around like

surplus food and food banks that will definitely need a huge amount

of help to increase awareness and get the word out and help a lot of

vulnerable people.

00:11:32:12 - 00:11:45:21

Ellie Hale

It's definitely something we can look to do or looked to try and

facilitate. I'll get the team on that, maybe. Got my mind whirring,

there. What is it that's next for Agency A? What's coming up? What

big projects are you working on? What's your goal for 2023?

00:11:46:04 - 00:12:05:15

Rea Averill

We've just done a bit of a brand refresh so we'll be launching new

logos, new branding, which is looking really good, looking quite

punchy and exciting in my opinion at least. And then once that's

live, we're also going to launch a B2B service offering. We just

hired a new guy called Gus. He's brilliant, he's going to lead our

B2B services at Agency A.

00:12:05:20 - 00:12:14:24

Rea Averill

So we're really excited to hit the ground running with that and then

be able to work with clients focus on the B2B and B2C. So that's

plans for the next couple months, not sure about 2023!

00:12:15:12 - 00:12:21:05

Ellie Hale

That's really exciting. What do you think your key lessons have been

so far in your agency journey?

00:12:21:19 - 00:12:43:16

Rea Averill

I think talking and I don't mean just walking into the office and

just chatting to the team. I did a government course recently, could

Help to Grow, and I had a mentor on that course, called Sebastian,

and he helped me with how you structure team one to ones or team

management and he recommended that I go up to bi weekly one to ones

a month, versus one hour long one and just keeping really close knit

communication with the team.

00:12:43:16 - 00:13:06:04

Rea Averill

And that for me personally has been really invaluable both for me

and then the team have also commented that it's been really helpful

as well to have that the frequency of communication, especially in a

small team because it keeps everyone aligned, that keeps everyone

engaged, so I'd say talking and transparently talking is really

important because if you bring people into a small business, they

need to feel motivated and empowered and equally, really aligned

with where you're going.

00:13:06:18 - 00:13:22:03

Rea Averill

And so now my approach is I'm just going to be wholly transparent

about everything, obviously within reason. But I just think the

frequency of talking and communication is really important and

getting to know your team on a really personal level, as well and

understanding what makes them tick because you want them to come to

work, enjoy what they're doing.

00:13:22:03 - 00:13:33:06

Rea Averill

And then I would just say also trusting your guts, which probably

sounds a bit corny, but I do think that that's really important when

you're running your own business, you have to take scope of all the

feedback and ideas around you, but equally trust what you think is

going to work.

00:13:33:18 - 00:13:42:13

Ellie Hale

That is brilliant advice, Rea. Thank you so much. It's been great.

I've had so much fun thanks for being on our podcast and sharing

your story. And I can't wait to see what you guys do next.

00:13:43:06 - 00:13:53:20

Narrator

Thanks so much for listening. Please don't forget to subscribe. Stay

in touch and if you like what you hear, find out more at

theagencycollective.co.uk